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  • 13.18. Book #8 2013

    Several years ago I discovered the most helpful little book on academic writing I’d ever seen.  It’s called They Say, I Say: The Moves That Matter in Academic Writing.  I loved the book for the ways it simplified–through the use of basic templates–how academic writing at its best, works.

    My freshmen could read it and apply the concepts right away in their essays. The results were almost immediate as they began practicing the art of “starting with what ‘they say’” as a way of setting up what “I say”–that is, framing your own argument as a response to what others have said or might say.

    I adopted the book solely because I thought it would help my students write better essays.  And it has.

    What I didn’t realize at the time was that something deeper was perhaps subtly being communicated to my students through the book–something I’m guessing I responded to unconsciously when I first read it.  What the book actually encourages is the practice of virtues of humility and charity.  I listen to (or read) what others are saying; I summarize as clearly as I can what they say, playing the empathetic “believing game,"; and only then do I respond.

    I think the authors of the book mean to encourage liberal minded civil discourse, and I’m certainly with them.  We need that.  But what I’ve come to recognize is this: civil discourse isn’t enough for me and for my Christian students.  Ours is a higher calling.  We must read and write lovingly.

    Alan Jacobs' book A Theology of Reading: The Hermeneutics of Love is a wonderfully dense, insightful book that I take is, in part, a call to charitable academic discourse.  It’s subtly that, and it’s also more than that.  Jacobs' suggests that if the great commandment includes loving neighbor as self, then as readers (or listeners) we may well have a responsibility to treat the books we read and their authors as neighbors.  “Love your neighbor as yourself,” right?  And who is my neighbor?

    Perhaps it’s that book (or poem, or blog, or chapel address) or that author (or speaker) I’m inclined to think doesn’t really have that much to offer me.

    What might reading and interpretation look like when governed by the law of neighbor love?  And what might my less than charitable or dismissive responses to some of the texts or authors I’ve read (or speakers I’ve heard) suggest to me about how far I have to go as a disciple of Christ who desires to be perfected in love?

    Jacobs' book is well worth the effort it takes to read, and it is one I will come back to again over the years.

    → 3:07 PM, Feb 21
  • 13.17. Book #6 2013

    Some of my students have a hard time with the playfulness of post-modernist literature--especially with its tendency toward deconstruction.  We read this  immediately after reading Homer, and some of them have a hard time having the rug pulled out from under their notions about Odysseus and Penelope.  But Atwood is only doing what "Homer" did a long time ago.  She does a little "story-making" with mythic characters.

    I try to tell them that this kind of intertextual gamesmanship is pretty much how all literature works.  There's only one real "author."  The rest of us sub-creators simply take what has been given us, rearrange, rewrite, and retell.

    There's only one story.  Infinite variations, though.

    Some of them think this is primarily Penelope's story.  But Atwood allows the chorus of maids to subvert and maybe trump Penelope's narrative at every step along the way.  In the end, theirs is the final word--at least in this novel.

    → 12:37 PM, Feb 17
  • 13.13. Book #5 2013

    A re-re-re-re-re-re-re-re-re-re-re-re-re-re-re-read.

    And it gets better every time.

    → 8:27 PM, Feb 1
  • 13.11. Book #4, 2013

    C.S. Lewis, The Four Loves. (re-read)

    One of my favorite passages from the book.

    There is no safe investment. To love at all is to be vulnerable.  Love anything, and your heart will certainly be wrung and possibly broken.  If you want to make sure of keeping it intact, you must give your heart to no one, not even to an animal.  Wrap it carefully round with hobbies and little luxuries; avoid all entanglements; lock it up safe in the casket or coffin of your selfishness.  But in that casket--safe, dark, motionless, airless--it will change.  It will not be broken; it will become unbreakable, impenetrable, irredeemable.  The alternative to tragedy, or at least to the risk of tragedy, is damnation.  The only place outside Heaven where you can be perfectly safe from all the dangers and perturbations of love is Hell. 

    I believe that the most lawless and inordinate loves are less contrary to God's will than a self-invited and self-protective lovelessness.  It is like hiding the talent in a napkin and for much the same reason "I knew thee that thou wert a hard man."  Christ did not teach and suffer that we might become, even in the natural loves, more careful of our own happiness.  If a man is not uncalculating towards the earthly beloveds whom he has seen, he is none the more likely to be so towards God whom he as not.  We shall draw nearer to God, not by trying to avoid the sufferings inherent in all loves, but by accepting them and offering them to Him; throwing away all defensive armour.  If our hearts need to be broken, and if He chooses this as the way in which they should break, so be it.
     
     

     
     
    → 4:04 PM, Jan 24
  • 13.9. Book #3 2013

    A re-read of Kenneth Grahame's The Wind in the Willows.

    It's a story about the love for a place, about hospitality, about friendship, with a great chapter wherein Mole and Rat have a mystical experience I find lovely.  The chapter is called "The Piper at the Gates of Dawn."


    Here's an amazing Van Morrison song based on that chapter.
    [youtube [www.youtube.com/watch](https://www.youtube.com/watch?v=Np66auTlsOw])



    → 3:17 PM, Jan 19
  • 13.8. Book #2, 2013



    Walter Dean Myers's Monster is a movie script interrupted occasionally by diary entries--both written in a notebook during the the trial of his protagonist/narrator, a sixteen year old named Steven Harmon.  Steven is accused of serving as the lookout for a robbery of drugstore that ended in the murder of the drugstore owner.  Myers leaves Steven's guilt and involvement ambiguous to the end.  The novel's moral seems to lie in the potential consequences of a single choice.  The problem is, we never get to know just exactly what choice Steven did or didn't make and whether he was just an unfortunate victim of circumstances or what.

    I'm a sucker for YA fiction.  I'm a double sucker for stories about inner city youths.  The Harlem setting is perhaps the best thing about this, and Steven as a wannabe film-maker is a good idea, but the novel written as film script just doesn't work for me.  Steven's character comes through in this style fairly well, especially, though because he occasionally interrupts his script to write a diary entry.  But the other characters quickly become indistinguishable from one another.  It might make a better movie; somebody should make it.

    On the upside, I think Walter Dean Myers is a novelist worth reading, and I will read more of his books.  Because I'm also a sucker for stories about basketball players, and he has a couple of those, too.

    → 2:46 PM, Jan 15
  • 13.4. Book #1 2013

    Dog-Heart by Diana McCaulay

    As an experiment (and who knows if this will last), I'm going to post a picture and brief reflection on each book I read (cover to cover, that is) this year.

    Dog Heart is the first book I finished reading in 2013, and it's a good one.  You can read some reviews here.

    I knew a lot of Dexter's when I lived in Kingston; they came to the basketball court we'd helped them build--after school, Saturdays. McCaulay has so many details just right. The relentless heat, the smells, the all night noise, the crowded buses, the impossible conditions within Kingston's all age schools. And though I am not a middle class Jamaican single mother like the other main character (Sahara) in the novel, and though I knew much less about people like her, she strikes me as believable and more like me than I might care to admit. She sees a hungry boy and she wants to do more than give him a few coins this time.  But her going beyond the few coins unintentionally sets the stage for an unhealthy one way dependency that becomes difficult to move beyond.

    What I most like about the story is that it doesn't offer any easy answers, because there really aren't any. Kingston's ghettos are--what little I experienced of them, especially the one I knew best--are places in desperate need of worldview transformation as preparation for receptivity to the gospel.  And yet there are more Christian churches in those ghettos per square mile than almost anywhere on earth.

    I look back on my time in Kingston and I wonder what difference it made to the Dexter's I knew.  I do not know.  I also wonder what difference that time has made for me.  I am still trying to figure that out.

    p.s. We were missionaries in Jamaica from 1997-1999 with RENEWED ministries, a ministry committed to multiplication discipleship through sports ministry.

    → 8:30 PM, Jan 4
  • 62. On the education of teachers

    “For when she was hardly more than a girl, Miss Minnie had gone away to teacher’s college and prepared herself to teach by learning many cunning methods that she never afterward used.  For Miss Minnie loved children and she loved books, and she taught merely by introducing the one to the other.”

    -Wendell Berry, “A Consent”

    → 8:55 AM, Jun 27
  • 8. On Libraries

    He slips out the backdoor of his office and into the movable stacks.  Most employees have but one way in and one way out of their offices.  His office, in the bowels of Bowen, has a second doorway out and directly into the literature section of the library–into a large room with the highest concentration of books of anywhere on campus.

    Were he a poet there might be a metaphor to work here.  Sometimes he likes to shut the main door to his office and crack open the door into the library to let in its cooler air.  Perhaps in a magical realist story, more than just cool air would work its way into his modest, windowless office when he opens this door to another world. 

    Libraries have always enchanted him.  He walks past a stack of books a hundred times without noticing, then the hundred and first time some book title captures his eye, and if he is not careful (and why should he be?), he finds himself standing for a half hour cracking open a book cover, inhaling its cooler air, transported to another world.

    One day the library will likely claim the faculty offices in the northeast corner of its building, and the English department will be relocated elsewhere.  This will be a sad day for him–the day he loses his windowless office with its secret passageway into a world of worlds.

    → 9:30 AM, Jan 8
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